
Chuang Che
From his exposure to international art, Chuang Che created what he calls a “third way”. He materializes it by mixing oil, water and sometimes acrylic, which produces transparency effects.
From his exposure to international art, Chuang Che created what he calls a “third way”. He materializes it by mixing oil, water and sometimes acrylic, which produces transparency effects.
The “Chaotic Harmony” exhibition brings together around twenty artworks produced from the 1960s
to the present day. It reflects the singular energy that emanates from the abstract landscapes of
Chuang Che, and his aesthetic research on the fusion between East and West.
Like Zao Wou-Ki and Chu Teh-Chun, Chuang Che renewed traditional Chinese painting by adopting
abstraction from the end of the 1960s. He is considered to be one of the greatest painters of his generation.
Galerie Vazieux is presenting a unique exhibition at Kiaf SEOUL, ‘The Three Lees, A Korean Saga’. The booth of Galerie Vazieux is surrounded by the works of artist couple Lee Ung-noand Park In-kyung, and their son, Young-sé Lee, who is also an artist.
Article (Fr) by Laetitia Bischoff
Magazine TK-21
Edition n°118, May 2021
—Gaël s’attèle aux icônes, il retravaille leurs mèches et leurs postures, leurs railleries, les gueules aussi. Il ferme les yeux pour se souvenir de Van Gogh ; oui le creux de ses yeux était si noir, ce ne peut être que lui avec un vent de cyprès pour chemise. Pour que la peinture ne sèche jamais, elle boit des visages, elle s’en fait un bain de bouche. Faire crier les profils, faire choir les trous de nez, couler les yeux jusqu’au-dessous des joues. Les cheveux et les globes oculaires guerroient avec le prisme d’un fond coulant ou braillant du vert en tempête. Colorer, raviver, vivre.
Exhibition review (Fr) by Claire Margat
Lacritique.org
Released on May 14th, 2021
—Olivier Kaeppellin a choisi pour l’exposition “Faire face” des portraits parmi les tableaux de Gaël Davrinche, né en 1971, qui se voit ainsi gratifié pour son demi-siècle d’une exposition et d’un catalogue dont le texte ne peut que l’encourager à persévérer dans son être.
Article (Fr) by Sophie Reyssat
Magazine BOUM!BANG!
Released on May 3th, 2021
—Gaël Davrinche est un aventurier de la figure humaine qui joue avec ses modèles comme avec la peinture elle-même. Au-delà des apparences, ses portraits interrogent notre humanité et posent un regard décalé sur notre société.
Solo Show from May 15 to June 19, 2021 at the Gallery Vazieux
Article by Yu Hsiaohwei
View (Ch) : Cans Asia Art News
Art Magazine Taiwan – edition N°195, April 2021, pp.92-95
—Interview with Catherine David, curator at the Centre Pompidou
Exhibition review by Valérie de Maulmin
View (Fr) : Connaissance des Arts
Edition N° 800, February 2021, p.112
—Group Exhibition from January 21 to February 27, 2021 at the Gallery Vazieux
Interview with the Gazette Drouot
Released on December 10, 2019
—Exhibition review by Claire Margat
View (Fr) : OH SE-YEOL, L’enfance de l’art
Released on October 25th, 2020
—Solo Show from September 18 to November 07, 2020 at the Gallery Vazieux